| TECHNOLOGICAL 
                SPECIFICATIONAT CATAL HUYUK c. 6400 BC
This 
                  archeological site at the south edge of the Anatolian Plateau 
                  in modern Turkey was excavated by James Mellaart between 1961 
                  and 1963. He described Catul Huyuk as a major Neolithic site, 
                  yielding rich evidence of a remarkable advanced civilization 
                  that flourished in the seventh and early sixth millennium BC. The 
                  following extract from The Shining Ones quotes Mellaarts 
                  key observations. Very 
                  few signs of industry have been found in the priestly quarter 
                  excavated at Catal Huyuk, apart from such normal domestic operations 
                  as the preparation of food, the baking of bread and slingstones 
                  in the ovens, the cutting of wood for fuel, awls for the mending 
                  of clothes, and bodkins for the repair of mats and basketry 
                   primary operations that did not need skilled labour. On 
                  the other hand, there is no evidence that any of the more specialised 
                  crafts were performed in this quarter  such as the chipping 
                  of obsidian tools and weapons, the polishing of stone tools, 
                  the drilling and manufacture of beads, the weaving of cloth 
                  etc. The objects found in the houses and shrines of the quarter 
                  are all finished products, and the area of the workshops where 
                  these times were made, sold or bartered, must lie elsewhere 
                  on the mound. The amount of technological specialization at 
                  Catal Huyuk is one of the striking features in this highly developed 
                  society which was obviously in the vanguard of Neolithic progress. 
                  The result of this specialization is equally apparent, for the 
                  quality and refinement of nearly everything made here is without 
                  parallel in the contemporary Near East. The priests and priestesses 
                  evidently did not bother to weave their own cloth or chip their 
                  own tools, they went to the bazaar and utilised the handiwork 
                  of others. Nor did they reap their own grain or spin their own 
                  wool, and the idea of a home-industry was evidently frowned 
                  upon by these elegant sophisticates [our emphasis]. Out of over 
                  two hundred rooms we have but one sickle and less than a dozen 
                  cores of obsidian, a single spindle-whorl and not a single loom-weight. 
                  However, there was evidence for fourteen cultivated food-plants, 
                  a great deal of cloth and hundreds of finely finished obsidian 
                  weapons. Consequently one is better informed about the actual 
                  artefacts which these people used than about the technology 
                  of their manufacturing processes, many of which remain to be 
                  studied. How 
                  for example, did they polish a mirror of obsidian, a hard volcanic 
                  glass, without scratching it and how did they drill holes through 
                  stone beads (including obsidian), holes so small that no find 
                  modern steel needle can penetrate? [our emhasis] When and where 
                  did they learn to smelt copper and lead, metals attested at 
                  Catal Huyuk since level IX, c 6400 B.C.. James Mellaart, 
                  in this passage, has attested to the presence in Catal Huyuk 
                  of an elite class of elegant sophisticates with an unexpected, 
                  and anachronistic, level of technological expertise. He calls 
                  these sophisticates priests and priestesses, without 
                  any substantial justification. He just appears to be following 
                  the norms of modern archaeological reasoning, form which any 
                  practice not understood is classified as religious, and 
                  any figure or figurine not immediately recognisable as of standard 
                  human form becomes a deity, or a cult object. This reasoning 
                  does not allow for any experimentation or imagination on the 
                  part of the sculptor. The sometimes grotesque drawings of younger 
                  school-children can only rarely be termed religious. In our terms, 
                  and in the context of this study, we have to call these sophisticates 
                   Shining Ones, or Anannage, or Angels  the 
                  subordinate colleagues of Anu. From The 
                  Shining Ones by Christian and Joy OBrien Ancient 
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